Glenn Loughran
After The Future of Work

Artist In Residence at UCD Parity Studios 2017
Supported by UCD in the Community, College of Social Sciences and Law in partnership with Create and CAPP- Collaborative Arts Partnership Programme

After the Future of Work engages with industrial and post-industrial themes, the shifting world of labour, work and unemployment in one of Dublin’s most disadvantaged communities.

After the Future is an artistic research project developed by artist Glenn Loughran in collaboration with the Robert Emmet Community Development Project, members of the community, local businesses, artists, musicians, academics and digital technicians. In response to the closure of the last sewing factory in Dublin’s inner city, the project engages with industrial and post-industrial themes, the shifting world of labour, work and unemployment in one of Dublin’s most disadvantaged communities.
Key actions in the research aimed to:

Explore new artistic methodologies for engaging with local communities
Explore contributory work and alternative economies with local communities
Develop public events around the future of work in society
Develop an artistic archive of the last sewing factory in Dublin 8

Outcomes:
A unique series of collaborative artistic research processes and events.
An archival record of the last sewing factory in the community.
A public dialogue around the end of work and alternative economies in a working class community.
A Forthcoming Publication.

Developed over an extended period of time (2017 – ) this project initiated long term collaborative engagements in the community around the impact of generalised automation on work/employment. The outcomes of this research were a series of artistic events developed with the community on the history of industrial labour in the Dublin 8 area

INTERMITTENT - Specially commissioned cello composition and public performance in the sewing factory resulting in short film.

First established in 1970, Dot Binding is the last in a long tradition of factories and warehouses that have occupied this building since it was built in the mid 1700’s. The current owners have been a rich part of the local community, employing men and women locally and throughout the Dublin 8 area. As it closes we would like to thank Paddy and his family for his contribution to the community over the years and to acknowledge the passing of this building as the passing of the industrial era. To mark this event artist Glenn Loughran in collaboration with the Robert Emmet Community Development project have commissioned world renown cellist Eimear Reidy to develop a 15 minute solo composition to be played from within the building, on the eve of its demolition.

The title of the piece developed by Eimear alludes to the history of sewing in the area. The intermittent mechanism in sewing machines creates the unique form of stitch common in industrial fabrication. Intermittent also points to the future of work after industrialisation where part-time, unprotected work becomes the norm. Composed in response to all of these elements, the piece will be punctuated by intermittent sounds that are stagnant and fragmented, calling us to reflect on present day questions concerning the future of labour.

UNION BANNERS - Production of large-scale textile work with ex- sewing factory workers, using left over textiles from the factory

Developed in collaboration with textile artist Dee Harte and through a long series of history workshops with local women/ex-factory workers, a number of union banners were designed and fabricated out of fabric from the sewing factory. From the history of women's labour and union participation to the history of computation, the banners address the future of work in a post- industrial society. Through declarative statements and technical drawing, the banners perform a protest yet to come; 

NO TO ALOGRITHMIC STULTIFICATION/NO TO ALGORITHMIC GOVERNMENTALITY

Dee Harte is an Artist and part-time lecturer in Fine Art (TAA, NCAD). She holds a Masters of Textiles (NCAD 2016), Hon. BA in Embroidered Textiles (NCAD 2008), Fashion Design (BA) (LSAD 2002). She lives and works between Dublin and Kilkenny. 

OBJECT ARCHIVE - The development of an archive of industrial objects from the factory using reconditioned 3d printers.

Developed in collaboration with UCD engineer James Carron, a suite of 3d printers were repurposed to wrap rather than make objects. The objects & fragments that each printer was re-coded to wrap were collected from the Dot Binding sewing factory. Installed in the Robert Emmet Community Development Project from 21st Sept - 25th Sept, these objects are wrapped for eight hours a day using the left-over threads from the factory, for one work week. The objects form a permanent archive of industrial objects in the community centre reception area.


  • James Carron

    James Carron is a UCD Engineering Student. At the time of this project he was on a Summer Scholarship with UCD Innovation Academy where he worked on Personal Projects and with Artists and Researchers on how to integrate technologies into their work. 


Public Conference - A public conference on the future of work developed with academic institutions and civil society networks.
Exploring the future of work in our society and communities, the conference sought to create a public discussion around the future of work and new and different modes of exchange which might develop in the shift from one industrial revolution to the next. This was an opportunity for the Robert Emmet CDP to reflect on an increasing employment gap emerging in the current economy, and its implication for future generations.

  • Speaker Profiles

    Bríd O Brien (INOU) Irish National Organisation of The Unemployed


    Bríd is the INOU’s Head of Policy and Media and plays a key role in formulating and developing INOU policy on unemployment, social welfare and the development of an inclusive and equitable labour market. Bríd represents the INOU in social partnership and other structures including the Labour Market Council which was established in September 2013. She is also a member of the INOU’s Senior Management Team and acts as the media spokesperson.


    Bríd was appointed to the Council of the Economics and Social Research Institute in September 2012; and is a member of RTE’s Audience Council since May 2011. On behalf of the INOU Bríd works with colleagues in the Community and Voluntary Sector on issues of socio-economic justice; and is one of the Community and Voluntary Pillar representatives on the National Economic and Social Council.


    Dr. Kylie Jarrett. Department of Media Studies (Maynooth University)


    Kylie co-ordinates the BA Digital Media programme and teach modules related to digital media, gender and political economy in Maynooth. Her research area is the political economy of digital media and in particular the commercial Web and has published extensively about various commercial platforms including eBay, Facebook and Google. With colleagues Ken Hillis and Michael Petit, she has exploredthe commercial search industry, published in the book Google and the Culture of Search (Routledge, 2013). She is also author of Feminism, Labour and Digital Media: The Digital Housewife (Routledge, 2016) applying Marxist feminist theories of domestic work to understand the practice of consumer labour. 


    Dr. Conor Mc Garrigle. Department of Fine Art (DIT) 


    Conor McGarrigle is an artist, researcher and lecturer in Fine Art New Media. A graduate of UCD (BSc) and NCAD (MFA), he received his PhD through practice from DIT in 2012.


    His practice is characterised by urban interventions mediated through digital technologies and data-driven explorations of networked social practices and he has exhibited extensively internationally .His practice-based research examines the implications of pervasive networked devices and computational processes through the lens of critical art practice. ] In 2014 he was the recipient of the Leonardo Award for Excellence for his article “Augmented Resistance: The Possibilities for AR and Data Driven Art” published in Leonardo Electronic Almanac.


    Deirdre Garvey CEO The Wheel


    Deirdre Garvey is the founding Chief Executive Officer of The Wheel and since November 2000 has overseen The Wheel’s establishment and growth to the national network of several thousands it is today with over 1,300 member organisations of the community and voluntary sector.


    In The Wheel’s representational capacity, Deirdre has represented the sector’s shared interests on various fora over the years. Previously she has served on the Working Group on ‘Citizen Engagement in Local Government’ (2013); and was also a member of the Steering Group for the European Year of Volunteering 2011 and for the European Year of the Citizen in 2013. Deirdre was a member of the National Economic and Social Council (NESC) from 2003 to 2007, and an alternate member from 2007 – 2010 and a member of the Steering Group for the ‘Towards 2016’ national agreement in relation to Social Partnership from 2006 to 2010.


    She was one of 12 people selected to represent the community and voluntary sector on the Implementation and Advisory Group of the Government's White Paper on Supporting Voluntary Activity which existed from 2001 through to April 2007.


    She is an in-demand media and public speaker on the topics of excellence in corporate governance in non-profits, charities regulation and best practice in the non-profit sector in general. 



    Dr. Eoin Flaherty. School of Sociology (UCD)


    Before arriving at UCD, Eoin was a post-doctoral researcher at the National institute for Regional and Spatial Analysis (Maynooth University), and two years as lecturer in sociology at Queen's University Belfast. He is interested in some basic questions of collective behavior: how are patterns of inequality formed and maintained, and how do they change over time? He is also interested in how human societies have formed systems of cooperation and managed resources collectively, and whether such systems were more resilient to environmental stress. 


    Some recent work on these areas includes:

     

    Flaherty, Eoin (2017) 'Complex inequalities in the age of financialisation: Piketty, Marx, and class-biased power resources' In: Smith, David A. and Langman, Lauren (eds). 21st Century Inequality: Marx, Piketty, and Beyond. Leiden: Brill.

     

    Flaherty, Eoin (2017) 'Doing time series analyses of income inequality - pooled or comparative?' Sage Research Methods Cases.

     

    Flaherty, Eoin (2016) 'Rundale and 19th Century Irish Settlement: System, Space, and Genealogy'. Irish Geography, 48 (2):3-38. 


    Flaherty, Eoin (2015) 'Top incomes under finance-driven capitalism, 1990-2010: power resources and regulatory orders'. Socio-Economic Review, 13 (3):417-447.



    Dr. Noel Fitzpatrick Head of Research and Dean of GradCAM (DIT)


    Dr. Noel Fitzpatrick (doc es lettres) is the Dean of Graduate School of Creative Arts and Media (www.gradcam.ie ), Head of Research at the School of Art, Design and Printing, programme chair for Creative Arts Masters Platform at the DIT and is also the director of Research Art, Design and Interdisciplinary Studies (www.radicul.org). He teaches Critical Theory, Philosophy and Aesthetics to undergraduate students at the school and supervises postgraduate students in the college of arts and tourism. Noel has an interest in the interpretation of text and text as performance. His research spans different disciplines and domains from contemporary French philosophy to performance theories and contemporary cultural production.



    David Erixon. Head of Innovation - Ulster Bank.


     



Biopedagogy (1)
Developed in collaboration with performance artist El Putnam, the first event in the second phase of the research was sited at the Dublin City Gallery Hugh Lane. Focusing on the relationship between knowledge and automation, the event developed a performative response to emerging explorations of gestural simulation for virtual teaching. Biopedagogy (1) aimed to develop a gestural archive of bodily techniques used in the classroom. Breathing, Gesturing, Laughing and Glancing were performed silently in front of three Joseph Beuy's blackboards. Audio reflections on the etymology of each category were cited and recited through a series of automated audio recordings played through headphones attached to the performers body. The audience were encouraged to listen to the audio recordings and to accompany the performers movment. Intermittently, the performer would deliver an oral monologue on the etymology of a particular technique (e.g the glance), which concluded with a short contextual reflection on biopedagogy. 

  • El Putman

    EL Putnam... is a visual artist and scholar working predominately in performance art, video, sound, and interactive media. Her work draws from multiple themes and sources, including explorations of the interplay of digital and corporeal gestures, which she investigates through personal and cultural lenses. Originally from the United States, she currently resides in Co. Louth. www.elputnam.com, www.inaction.ie


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